![]() ![]() It also supports import of Akai S1000/3000 samples. The Emagic Logic Platinum 6.1 allows Digidesign TDM users to use Emagic software instruments in combination with TDM DSP hardware on the Mac OS X platform. The Merging Technologies Pyramix V4.1 includes direct project interchange formats, including AES31, Open TL, Pro Tools and Sonic Studio. This one-pot dish was inspired by a dinner of ginger fried rice and. The effect can immediately be heard or bounced in non-real time, and DirectX processes may also be chained on the same mixer channel. In addition to AES31, SADiE V5 software allows drag-and-drop of DirectX plug-ins onto a mixer strip. Many manufacturers are supporting an increasing number of formats for third- party file and plug-in support. At least 20 DAW manufacturers have either already implemented or are planning to implement AES31 so that whole projects can be interchanged with other systems. Recording can be to the internal hard disk, internal DVD and external FireWire drive at the same time, with each disk supporting a different file type and sample rate.Īs commercial realities hit home, an increasing number of manufacturers are working on project interchange. These range from a six-track model for basic recording to a 10-track model designed for multitrack, high-bit-rate applications. ![]() Zaxcom has launched three hard disk recorders, namely Deva III, IV and V. A choice of file formats is supported, and a built-in sample rate converter operates up to 192kHz as well as enables conversion between PCM and DSD.įor multichannel portable or location recording, a handful of new products has come onto the market. The Genex GX9000 supports eight channels of 24-bit/192kHz and DSD recording/playback, while the GX9048 accommodates up to 48 tracks of 24-bit/192kHz or up to 48 channels of DSD recording/playback from a single hard drive. This operates as a 48-track at 48kHz or as a 24-track at 96kHz, has a dedicated 48-track remote, waveform GUI, seamless punch-in/out, several DSP functions, a variety of analog and digital I/O, a removable hard disk, and the ability to import sessions previously created on the RADAR-II system. With Digidesign’s Dolby Surround Tools, users can produce Dolby Surround LCRS mixes on both Mac and Windows-based Pro Tools TDM systems.Īmong the latest arrivals to this market is the Otari DR-100. These offer multiple inputs and outputs, sometimes freely routable, sometimes fixed to tracks, and tend to be modular in groups of eight or 24 tracks. While most DAWs have multichannel operation internally, some are designed specifically for the multitrack recording and playback market. The Digidesign Dolby Surround Tools option allows users to produce Dolby Surround LCRS mixes (not Dolby Digital 5.1 mixes) on both Mac and Windows-based Pro Tools TDM systems. The Steinberg Nuendo supports a Dolby Digital encoder plug-in for AC3 encoding from mono to 5.1, and can also export DTS-encoded audio as a WAV file to directly burn a 5.1 mix to CD. In addition to loop mixing, waveform editing, DSP effects, mastering and analysis tools, and audio restoration, the Syntrillium Cool Edit Pro includes a multichannel encoder for surround sound. ![]()
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